Time Flies When You’re Having Fun, 2016-24, Oil on primed gesso board, 56 x 76cm Photographer & Documentation: Rikard Österlund
Hard Times: Further Study (1st Fragment), 2024, oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
Hard Times: Further Study (2nd Fragment), 2024, oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
Brown Sauce is Daddy, 2024, Oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
The Autodidactic Working Woman II, 2024, Enamel on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
A Man of Faith, 2024, Oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
News of the World, 2024, Oil on primed gesso board, 30x40cmcm Photographer & Documentation: Rikard Österlund
Our Daily Bread, 2023, Oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
The Autodidactic Working Woman, 2022, Oil on primed gesso board, 30 x 40 cm (11.8 x 15.7 Inch). Photographer & Documentation: Rikard Österlund
The Autodidactic Working Man, 2022, Enamel on primed gesso board, 30 x 40cm, (11.8 x 15.7 Inch), private collection: The Priseman Seabrook Collections. Photographer & Documentation: Rikard Österlund
Black Sun, 2022, Enamel on primed gesso board, 53 x 64 cm, private collection: Paul Boughton, Vienna. Photographer & Documentation: Rikard Österlund
Enter the Proletariats, 2021, Enamel on Primed Gesso Board, 30.5 x 40.6 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Enter the Proletariats (Fragment 1), 2021, enamel on primed gesso board, 22.9 x 30.5 cm. Photographer & Documentation: Rikard Österlund
Enter the Proletariats (Fragment 2), 2021, enamel on primed gesso board, 22.9 x 30.5 cm. Photographer & Documentation: Rikard Österlund
Dave Chatting with Neighbour, 2020, Enamel on Primed Gesso Board, 45.3 x 55 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Two's Company Three's A Crowd, 2017, Enamel on Primed Gesso Board, 53 x 64 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Putting the World to rights', 2017, Enamel on Primed Gesso Board, 53 x 64 cm, Private collection
Foodbank, 2017, enamel on primed gesso board, 53 x 64 cm, private collection
Rock & Roll, 2015, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Priseman Seabrook Collection.
Break, 2014, enamel on primed gesso board, 53 x 64 cm
The Ticket, 2014, enamel on primed gesso board, 53 x 64 cm
D.I.Y, 2014, enamel on primed gesso board, 91 x 100 cm
Bored, 2014, enamel on primed gesso board, 101x135cm
Nico's Cafe, 2013, Enamel on Primed Gesso Board, 75 x 100 cm. Private collection: The Goldhill Family.
Sunday Afternoon, 2013, enamel on primed gesso board, 37.4x50cm.
Time Passing, 2013, Enamel on Primed Gesso Board, 59.5 x 74 cm. Private collection: Yale Centre of British Art.
Dave, 2013, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Elena Dranichnikova.
Sunday Afternoon Part 2, 2013, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Paul Boughton, Vienna.
A Man After Ilya Repin Own Heart Part 2, 2012, Enamel on Primed Gesso Board, 40 x 39.7 cm. Private collection: Anita Zabludowicz, London.
Folding Up, 2012. Enamel on primed gesso board, 22 x 30 cm. Private collection: Giuseppe Marasco collection (London)
Fiona in the Bathroom, 2012, enamel on primed gesso board, 33.5 x 40.5 cm, private collection: Priseman Seabrook
A Man After Ilya Repin Own Heart, 2011, enamel on primed gesso board, 33.5 x 40.5cm, private collection: Swindon Museum and Art Gallery, UK