Our Daily Bread, 2023, Oil on Primed Gesso Board, 30 x 40 cm (11.8 x 15.7 Inch). Painting is available. Photographer & documentation: Rikard Österlund.
The Autodidactic Working Woman, 2022, Oil on Primed Gesso Board, 30 x 40 cm (11.8 x 15.7 Inch) Painting is available. Photographer & documentation: Rikard Österlund.
I’m Still Waiting, 2022, oil on primed gesso board, 30x40cm (11.8x15.7 Inch), Available. Pho-tographer & Documentation: Rikard Österlund
The Autodidactic Working Man, 2022, Enamel on Primed Gesso Board, 30 x 40cm, (11.8 x 15.7 Inch). Private collection: The Priseman Seabrook Collections. Photographer & documentation: Rikard Österlund.
There Goes My Weekend (1st Fragment), 2022, enamel on primed gesso board, 30x40cm (11.8 x 15.7 Inch), Private Collection. Photographer & Documentation: Rikard Österlund
There Goes My Weekend (2nd Fragment), 2022, enamel on primed gesso board, 30x40cm (11.8 x 15.7 Inch), Private Collection. Photographer & Documentation: Rikard Österlund
Black Sun, 2022, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Paul Boughton, Vienna. Photographer & documentation: Rikard Österlund.
Enter the Proletariats, 2021, Enamel on Primed Gesso Board, 30.5 x 40.6 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Enter the Proletariats (Fragment 1), 2021, Enamel on Primed Gesso Board, 22.9 x 30.5 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Enter the Proletariats (Fragment 2), 2021, Enamel on Primed Gesso Board, 22.9 x 30.5 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Dave Chatting with Neighbour, 2020, Enamel on Primed Gesso Board, 45.3 x 55 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Two's Company Three's A Crowd, 2017, Enamel on Primed Gesso Board, 53 x 64 cm. Painting is available. Photographer & documentation: Rikard Österlund.
Putting the World to rights', 2017, Enamel on Primed Gesso Board, 53 x 64 cm, Private collection: Elena Dranichnikova.
Foodbank, 2017, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection.
Rock & Roll, 2015, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Priseman Seabrook Collection.
The Ticket, 2014, Enamel on Primed Gesso Board, 53 x 64 cm. Painting is available.
Bored, 2014, Enamel on Primed Gesso Board, 101x135cm. Painting is available.
Nico's Cafe, 2013, Enamel on Primed Gesso Board, 75 x 100 cm. Private collection: The Goldhill Family.
Sunday Afternoon Part 2, 2013, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection: Paul Boughton, Vienna.
Sunday Afternoon, Part 1, 2013, Enamel on Primed Gesso Board, 37.4x50cm. Painting is available.
Time Passing, 2013, Enamel on Primed Gesso Board, 59.5 x 74 cm. Private collection: Yale Centre of British Art.
Dave, 2013, Enamel on Primed Gesso Board, 53 x 64 cm. Private collection.
A Man After Ilya Repin Own Heart Part 2, 2012, Enamel on Primed Gesso Board, 40 x 39.7 cm. Private collection: Anita Zabludowicz, London.
Fiona in the Bathroom, 2012, Enamel on Primed Gesso Board, 33.5 x 40.5 cm. Private collection: Priseman Seabrook.
Nook, 2012, Enamel on Primed Gesso Board, 33.5 x 40.5 cm. Private collection: Elena Dranichnikova.
A Man After Ilya Repin Own Heart, 2011, Enamel on Primed Gesso Board, 33.5 x 40.5cm. Private collection: Swindon Museum and Art Gallery, UK.
Room At the Top, 2011, Enamel on Primed Board, 45x60cm.